Daily Archives: April 17, 2009

Prosperity is Relative

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The African nations that comprise the 2nd largest continent in the world have been aiming for prosperity in all sectors of society since the independence era of 1950s. Has much changed? Some argue no, others argue yes. In my opinion, the answer is all relative. Geographical location, Geopolitical importance, economics, cultural values, religion, health, and history are the key factors that determine the answer to such a question. There are arguments that claim that colonialism is also worth noting. However, that is a topic of discussion which I will not divulge into, yet. For this specific piece, I want to examine the current state of a specific country that has been in the news recently: Zimbabwe. The general history of Zimbabwe is not that different from that of the other 51 countries comprising Africa. However, there are key differences that have brought the country to its current state. The key issues that led to the occurrence of the events from the last 2 weeks are: colonialism, land reform, and African political traditions.

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Why was there such uproar the past few months in Zimbabwe over Mugabe’s refusal to turn over power? Perhaps it is the displacement of natives from their wealthy, fertile lands by the black natives. Perhaps it is a very complicated statement to say the least. In my opinion, the answer is all relative. As are most issues that plague us day-to-day.

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Recently I had a very heated discussion with a group of people about the current political climate in my native country of  Ethiopia. There were prominent business men, students, blue-collar workers, and the unemployed amidst the crowd. We discussed the current food crisis, effectiveness of previous administrations, role of the upper-class and gender rights. We argued back and forth for several hours; sometimes it escalated into shout matches amongst the seven of us. However, in the end it was clear that there was no clear resolution; the progress that an up-and-coming business man from a prominent background sought was drastically different than the one envisioned by the young radical student. Progress for some meant support the current administrations usage of corruption, money laundering, and U.S. appeasement as a necessary towards widening the country’s foreign investment, expanding its export/import market, and deepening the pockets of the few and privileged. Progress for some meant criticizing the current administration meanwhile supporting the national church that remains silent in times of social upheaval and injustice and for the few of us left, progress meant reacting and implementing change.

Initially I remained quiet as the discussion progressed over time, mainly out of exhaustion, but also because this type of discussion is what I live for, what I studied, what I really know (but not limited to). In addition, I knew in this specific discussion, I would be the radical; the militant, the extremist, the feminist, the idealist, the Marxist, the socialist, etc I could go on and on about what labels you could tag to my shouts and cries of injustice. Personally, I don’t mind these titles. I think it suggests that you’re not afraid to think differently and more importantly you’re not afraid to commit and implement the change necessary to bring life to these words. And as I tried to gather my thoughts, feelings and frustrations at the comments made throughout this group discussion, one specific word resonated in my ears: prosperity.

What does that even mean? As it was blurted out of one person’s mouth because he was arguing that the country was prospering and things were better than they have been in hundreds of years, comparatively speaking, I thought about what the other 72million people thought of such a statement. Hell, even I agreed with him to some extent. Things were better in some ways and devastatingly worse in others. But then I removed myself from the circle and looked at everyone. The same person who made this comment was a prominent business man, whose wealthy well-respected father built the foundation for him to have the success he has today; person of his position is allowed the ability to reap the benefits of a corrupt government that poorly manages its national funds and schemes the world into giving it more “aid money” to fatten their pockets a little more as the poor and destitute are starving and ravaged by disease.

And how did they view me? Well, they saw me as the Americanized unknowing young radical who was too-educated and empowered, perhaps for her own good; a young woman who could never understand the way things were and would “always” be in African realm of politics. I was the outsider.

The Activist

So at that moment, I became even more enraged and helpless than I already felt at the onset of the discussion.

And in my anger, I blurted out: Ignorance is bliss. And it is. Sometimes, it really is. But I pressed on, as in my eyes; it couldn’t have been that simple of answer for why no one addresses all of these issues.

So, I started shouting out questions to everyone, as to whether they voted in elections, they donated to charities, they adhered to international labor laws, they had food drives, sponsored a child, or helped fundraise to rebuild a school or clinic . I could go on and on what I thought they could do to give back. What was I met with? A mixture of murmurs and shouting, as everyone was grasping at an opportunity to either avoid my questions or completely dismiss me again as the ignorant-judgmental-slightly ethnocentric outsider. Completely unaware of the day-to-day life struggle in the city and countryside faced by the masses. And as the discussion progressed and they provided their own personal day-to-day problems of living under corrupt and difficult times, I realized that I too was feeding into the very ignorance I slandered their names with; that I was enjoying a little bit of this same bliss being here in the US.

So where did it go from there? Well, there was no real agreement met on anything except that things were different in Ethiopia, that whether life was better or worse was relative to each individual citizen. That even the very nature of how we engaged in this discussion is display of how African politics play out: great initiatives suggested but minimal to nonexistent cooperation and implementation occurs. It’s this idea that life goes on, and it really does. Whether the deaths of the masses are seen as a form of population control (pc) or a result of ineffective economic development policies seems irrelevant at this point. I share this story with you, not to rant on and on about what movement needs to develop, or what changes need to occur to create some utopian world, but rather to be a soundboard of thoughts, opinions, and initiatives.

As the author of this article, I didn’t intend to go on a tirade about the injustices of the world and how a revolution of sorts will be televised, because in my opinion, it won’t, (at least not all at once) because much of the world is full of talkers and not doers. Many speak of progress and desire for change, but yet they are the same people who don’t exercise their right to vote or even make the attempt to register. Many speak of ideals but fail to practice them in their day-to-day existence. We all are a part of this human chain linked across all seven continents; the relative prosperity felt in the favelas of Brazil, does determine and effect the standard of life in Accra, Ghana and wraps around all the way to Manila in the Philippines.

So back to the first statement regarding prosperity: yes, prosperity is relative. And yes, ignorance is bliss, sometimes. But this relativity is dependent on the type and manner of action and initiative we take towards that very progress and development we so desire. So experience, grow, and act, because if not, there’s no guarantee that you won’t meet the same fate as this guy:

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Art Under the Stars

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Every Friday at dusk they convene at Sankofa, a place owner and noted filmmaker Haile Germia describes as “liberated territory for independent thinking”. They come armed to the teeth with their rhymes, chants, poetry, notepads, drums, guitars, beats and most of all love. Their experience is whole-istic, where the mind is nourished by those that have come to share, the soul feeds of the positive energy, and the cafe takes care of their appetite. Their rules are simple, share material that is family oriented, give some love to those who share, contribute one line to the community poem to be read at the end, and most importantly wave at the riders of the 70 bus because you know they need some love! So who are they? They are children, adults, elders, mothers, fathers, students, professionals, revolutionaries, thinkers, listeners, philosophers, musicians, singers, poets and writers.

They are YOU.

They are the creators of art under the stars.

“Art Under the Stars” Open Mic is from 7pm-9pm, Fridays @ Sankofa Cafe, located on 2714 Georgia Ave., NW Washington, DC 20001. This is seasonal event, generally held during the summertime, but contact the cafe for more information!

Contributing Writer & Photographer- Gezaw Tesfaye

Good Girl…Disturbed: Rihanna’s Good Girl Gone Bad delves into the Indie World

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Based on Rihanna’s past releases, Music of the Sun (2005) and A Girl Like Me (2006), the music industry began to label her as a one hit wonder. However, with her latest album Good Girl Gone Bad, released on May 30, 2007 and re-released on June 2, 2008, she’s been able to turn things around and prove the industry wrong. So far this album has had seven successful singles with three reaching the top ten and three holding the number one position on the Billboard Hot 100. Following the release of her most recent single, Rehab, I can’t help but ask…What makes this album so much better and different from its predecessors?

One reason could be the abandonment of Rihanna’s Caribbean and Dancehall-infused music that dominated her past albums. Also, with producers and writers such as Timberland, Ne-Yo and Stargate, Rihanna had no need to contribute to the creative process of her album and instead let them steer her into an unexpected genre that’s beginning to creep into mainstream music. Her sole contribution and only credit on Good Girl Gone Bad is singer. After listening to Good Girl Gone Bad in its entirety I couldn’t buy into the mainstream hype. There was virtually no uniqueness in the production and composition of the album. In every song I was able to isolate an indie musician that’s done Rihanna’s new found style better and harder. For the sake of article length I have reviewed two un-released singles and two current singles, Disturbia

Out my life out my head…Feels like I’m going insane”

This song squarely falls into the synthpop/electronica genre with a hint of gothic lyrics. Written by new beau Chris Brown, the song was originally considered for the re-release of his album Exclusive. To date, the song has reached #1 on the Billboard Top 100 and is very much a mainstream success.

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Roisin Murphy – Ramalama (bang bang)

Its indie counterpart and one of the artists I consider influential to Disturbia’s writers and producers — Brian Kennedy, Andre Merritt, Robert Allen and Chris Brown is Roisin Murphy with the lead single off her debut album Ramalama (bang bang). Although Roisin did not pioneer the combination of electronica and pop, she is one of the most successful indie artists to perfect the craft. After listening to Ramalama (bang bang) I would suggest playing Rihanna’s Disturbia and take note of the rapid succession and bass drums that steals your attention and hinders your ability to listen to the underlining beat. As a result, it may take at least 3-4 attempts to break free from Disturbia and enter Rehab.

It’s like you were my favorite drug…The only problem is that you was using me”

Simply and most graciously put this song is the girl’s version of Justin Timberlake’s What Goes Around Comes Around. Rihanna’s 8th single, it should come as no surprise to anyone, that both Timberland and Justin wrote and produced this song.

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For a soulful smooth R&B song/artist listen to Jeremy Greene’s Never . The main difference between Rehab and Never is the way both songs are presented. With Rihanna’s Rehab her vocals are lost in the beat and natural flow of the song. You miss the meaningful lyrics and her attempt to connect to the song. Whereas with Jeremy’s Never even though there is a 15 second instrumental introduction, you are drawn into the powerful way he delivers his lyrics. There is a real emotion behind every word that falls short of Breaking Dishes,

I’m roasting marshmallows on the fire…And what I’m burning is your attire”

Breaking Dishes is a rare song on Good Girl Gone Bad where Rihanna steps outside of her comfort zone and tries to push her musical envelope. This song is in the running, along with Rehab, to be the 8th single off the album. In contrast, if Beyonce were singing this song it would have been a lead single simply because of her ability to deliver aggressive songs with grace (Déjà vu and Ring the Alarm). Rihanna, however, massacres the song so much so that it’s too angry for listeners to enjoy.

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This clearly was an experimental song in dance punk influenced by indie bands such as The Faint, Liars, Radio 4 and most notably The SoundsSong With A Mission. It’s not a new idea for mainstream musicians to take big band punk and add pop beats and aggressive lyrics but sometimes it just doesn’t work. However, mainstream beat and melodic listeners will make Breaking Dishes successful which is a shameful feat. Ultimately in the end Rihanna will truly manifest into her album title track Good Girl Gone Bad.

Trying to get enough drinks in her system…Take it to the tele and make her a victim”

The title track on the album is a lyrically cautioning song that talks about the consequences of breaking a girl’s heart. Unsuprisingly, it has the same melodic burn in your brain lyrical content as Beyonce’s Irreplaceable and the same twang as Goo Goo Dolls’ Iris.

More than anything, I wanted to find an indie artist who sung with the passion Rihanna often lacks. A song with lyrical content that makes you stop and get enthralled in the message.

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Ironically enough, I found that in Brandon Hines When a Girl Cries. Singing a smooth R&B song with a message is always a safe bet on an album that runs a big risk by releasing punk and electronica songs to make it appealing to mainstream listeners. Rihanna is known to take the easy way out vocally but sometimes her risks do pay off when she acts tough and catty especially on Push Up On Me.

Let’s play a game, I won’t be a tease…I’ll show you the boom, my sexy little thing”

Reminiscent of SOS, Push Up On Me is Rihanna’s second attempt at a sultry 100% 80′s pop song that has a hint of Whitney Houston’s I’m Your Baby Tonight percussion. Written by Lionel Richie and inspired by 80′s pop music with modern synthpop technology the only thing missing is 80′s big hair to complete the package. This song was by far the hardest to critique and equally as hard to find an indie counterpart for. It’s obvious her inspiration was popular 80′s dance pop music and she stayed in her comfort zone with the delivery.

Although the 80′s are over, there are still 80′s indie bands that have modernized the genre and are worthy to go into head-to-head combat with Push Up On Me. Such bands include Information Society, Cause and Effect and Cetu Javu. cetu-javu1

Situations by Cetu Javu stuck out most to be an actual song that Rihanna’s producers would have sampled to compose Push Up On Me. A quick listen to Situation would reveal that all you would have to do is speed up the tempo and feature the synth instruments with a harder recourse.

When it’s all said and done Good Girl Gone Bad is an international best selling album that has already been certified double platinum in the United States. There are no lingering puzzle pieces to pull together to understand that this album was a mainstream success. However, could it have been an underground success? If Rihanna had been an indie artist herself, would she rise to fame using the same material? We’ll never know the answer to that question but it is enough for me to continue walking down narrow alleyways slipping into a tucked away, but not secret, door of indie music.

Mainstream comes to you, but you have to go to the underground” -Frank Zappa

Contributing Writer: Dee Windt