DMV EVENT-12/12 NAS+DAMIAN MARLEY

November 19, 2009 · Leave a Comment

Hey folks,

A great friend of mine, Christine(1/2 of LunchboxTheory) has been working really hard over at  National Geographic to get the word out to the masses about this amazing event called Distant Relatives at National Geographic. It’s going to be NAS+DAMIAN MARLEY.in.one.room. (and there’s several other Hip/Hop greats in the building too! like Kool Herc, Rakim, Daddy U-Roy, King Jammy, Jeff Chang, Moussa Lo and DJ Red Alert). A HIP HOP and REGGAE panel discussion…AND THEN an AFTERPARTY (there will be an OPEN MIC at the party…so all local artists should definitely make sure to come and you know the greats themselves will PERFORM! so you know you don’t want to miss that!). Event is on FRIDAY, DECEMBER 12th, 2009. Tickets became available Tuesday after midnight. And you are probably wondering…how much? and What does a ticket give me access to, right? Tickets are $25.BUT  JUST WAIT, that INCLUDES not only seating at the panel discussion but also covers your admission into the afterparty later that night.So you know, soon as I heard about this event, I wasted no time to purchase my ticket yesterday at work.Yes it’s that serious. Tickets are limited too! So you better hurry up and get yours!

Here’s the Press Release below if you want detailed information on the whole project and the all the people behind it:

FOR IMMEDIATE RELEASE

NATIONAL GEOGRAPHIC LIVE TO PRESENT RECORDING ARTISTS NAS AND DAMIAN ‘JR. GONG’ MARLEY FOR SPECIAL PROGRAM

‘Distant Relatives’ Event Dec. 12 Will Feature Hip-Hop and Reggae Legends In Conversation Moderated by MTV VJ Sway, Made Possible by VTech

WASHINGTON (Nov. 18, 2009)—National Geographic Live will conclude its fall event series with a one-of-a-kind evening with some of hip-hop’s most legendary figures. “Distant Relatives,” sponsored by VTech, will feature hip-hop icon Nas and Grammy-winning artist Damian “Jr. Gong” Marley, son of Bob Marley, in a discussion about the often under-appreciated evolution of and deep-rooted connections between reggae and hip-hop.

Joining them for this conversation, moderated by MTV VJ Sway, will be key players in the development of both musical genres, including Kool Herc, Rakim, Daddy U-Roy, King Jammy, Jeff Chang, Pat McKay, Waterflow and DJ Red Alert.

The event will take place at National Geographic’s Grosvenor Auditorium on Saturday, Dec. 12, at 7 p.m. Tickets are $25 and may be purchased online at www.nglive.org, via telephone at (202) 857-7700, or in person at the National Geographic ticket office between
9 a.m. and 5 p.m. Monday to Friday. Tickets purchased online can be picked up in the lobby prior to the event.

Hip-hop, now a multibillion-dollar industry, originated as a vital form of cultural expression in Africa that was translocated by the slave trade to the Caribbean and the American colonies. It blossomed a half century ago in the dance halls of Kingston, Jamaica, and soon migrated to the parks jams and recreational centers of New York City, where the culture became known as hip-hop.

This evolution forms the basis of the “Distant Relatives” music project, a collaborative effort by Marley and Nas, which will comprise an album set for release in early 2010, a documentary film, performances and a series of public discussions, the first of which is this event hosted by National Geographic.

An open-mic party will be hosted at popular Washington nightclub Zanzibar following the event. National Geographic ticket holders will receive free admission with proof of purchase. For more information on the Zanzibar event, visit www.zanzibar-otw.com.

This event also will be streamed live and broadcast online at www.natgeomusic.net.

About National Geographic Live
National Geographic Live is the performing arts division of the National Geographic Society, featuring live concerts, films and dynamic presentations by today’s leading explorers, scientists, filmmakers and photographers, covering a wide range of topics, including exploration and adventure; wildlife and habitat conservation; natural phenomena; world cultures and ancient history; and relevant issues such as climate change and sustainability. Proceeds from speaker series help fund future National Geographic initiatives in field research, exploration and education. For more information, visit www.nglive.org.

About Nat Geo Music
Nat Geo Music, a division of National Geographic Entertainment, was established in 2007 to inspire people to care about the planet through the power of music. Content developed by Nat Geo Music is utilized across all National Geographic platforms, including online media, radio, print media, film and television. The Nat Geo Music label, launched in January 2009, records, releases and promotes modern music from around the globe from a variety of artists and genres. The Nat Geo Music Channel programs music from every corner of the planet and showcases global legends, local stars and up-and-coming artists. For more information, visit www.natgeomusic.net.

About VTech
VTech is one of the world’s largest suppliers of corded and cordless telephones and a leading supplier of electronic learning products. It also provides highly sought-after contract manufacturing services. Founded in 1976, the Group’s mission is to be the most cost-effective designer and manufacturer of innovative, high-quality consumer electronics products and to distribute them to markets worldwide in the most efficient manner. For further information on VTech’s blogs and its array of products, please visit www.vtechphones.com.

About “Distant Relatives”
“Distant Relatives” is an album created by two great artists to explore and celebrate the correlations and deep-rooted connections between reggae and hip-hop, tracing both sounds back to the African motherland that is both the cradle of humanity and the wellspring of mankind’s music. Unlike all previous collaborations between Jamaican and American artists, “Distant Relatives” is neither a remix nor a featured guest spot on a single track but a fully collaborative effort filling an entire album, opening new avenues of musical expression. Who better to fulfill this long-overdue mission? The youngest son of the legendary Bob Marley, and a hip-hop icon since 1991: Damian “Jr. Gong” Marley and Nas, whose success as a duo was proved in 2006 with the double-Grammy-Award-winning “Road to Zion.”
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Contacts:
Stephanie Montgomery
National Geographic
202-857-5838
smontgom@ngs.org

Carleen Donovan
Press Here Publicity
212-246-2640
carleen@pressherepublicity.com

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I really hope to see you all there! Don’t wait too long to purchase your tickets! This is one event you will not want to miss out on!

-Selamawit

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THIRD MONDAYS-11/16/09

November 16, 2009 · Leave a Comment

The Eclectic Eight

This list is more on the rock, emo, pop side. Check them all out and let me know what you think!

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45771air 1) AIR – “Sexy Boy” This group has been around since 1998. I’m mad I’m just now hearing about them. But better late than never. They are french, they use synthesizers and they got fun lyrics. This song is off their Moon Safari album that came out in 1998. A remixed version of same album was released in 2008. You can listen to that here

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2) Coconut RecordsNighttiming Whose behind this project? Ever heard of Actor Jason Schwartzman? (part of Coppola-clan, was in several Wes Anderson flicks such as The Darjeerling Limited and Rushmore…among many other films) Well, he has apparently been dabbling in music for years, even has his own indie record label. This 2007 album was his first under this band name. This is a pretty moody and wistful album but hopeful…Like how you feel when you just start liking someone and you are both running toward that cliff in pseudo-agreement, but you aren’t sure if its good idea…but you are excited by it all so you decide..yea yea yea..I’m going to  jump the cliff and so you do..then you look over and see…i’m the only one who jumped! then BOOM you slam head first into the crashing waves. yup, that’s what this album is like. (perhaps that description was a bit of an exaggeration…but listen and you’ll see).

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3) The EthiopiansEverything Crash: The Best of the Ethiopians Yea I know you are thinking…of course she’d add this group named after her peoples…nope.not even really. Just came across it while looking for Ethiopian music. Besides they are Jamaicans. But I guess that doesn’t really matter in the grander scheme of things, as one friend reminded me We all are the people of Kush. The band does 1960-70’s ska; Listening to them makes you wish you had a guaro y fresca in your hand (yea I’m nostalgic for my Costa Rica days.) while you danced the night away with everyone you loved and knew, in an open veranda steps away from the Caribbean Sea. See it? Yea, now play the songs.

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4) The Black Keys - Attack & Release These two Ohio boys are really onto something. Trippy, folksy, rock-n-roll, 70s-ish…but more. Led Zepplin meets White Stripes meets…The Roots? Look, you just gotta listen to see what I mean. The album has songs about men dealing with crazy bitches, being love-sick, cold-hearted, down-trodden and on-top of the world.Initially, it may sound a bit depressing and confusing but it makes me wanna have a good ass night. The album’s got a pretty good build. Sounds like  it could be a really great soundtrack too. They have caught alotta folks attention from all different genres…even from couple hip-hop heads. So much so, there’s a huge project in the works, with the likes of Q-tip, Mos Def, Jim Jones, Pharoach Monch, Raekwon and more involved. If all goes right, I feel like this project could be just as exciting as when Run-DMC and Aerosmith collaborated back in the day. Yes, I am going out on a limb and saying that. These sortsa projects and artists make me excited about the direction the relationship hip-hop and rock-n-roll is going in..albeit tumultuous one at that…. Check out official site on the project: http://blakroc.com/

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5) Serge Gainsbourg – “Sea Sex and Sun” He may no longer be alive, but his music definitely is and will continue to do so. He’s french, he’s raunchy, speaks to you exclusively in french (for the most part) and his music epitomizes that early euro jazzy cafe music. Though I don’t understand what he is saying, I imagine a scene out of some foreign love triangle film. Sounds really odd I know, but I imagine scenes in my mind when I hear music.I like to try to visualize sound, if that makes any sense. I digress, you can and should listen to a nice compilation of his work here

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6) Nico Vega “Nico Vega” Yes another rock group. Definitely on pop-side and the lead has quite a nice voice. Catchy songs. By the sound of her voice and the lyrics she does not sound like a woman to fuck with. Enjoy and tell me what you think!

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phil-ade7) Phil Ade- Wow. I have seen mention of his name at various local events and have for some reason or another been unable to see him live. But after hearing his music I have realized, I really should have gone to see him. Confident, Fun, and Witty lyrics over some pretty nice beats. AND he’s a fellow DMVer. I doubt you will be disappointed. Check out his music here.

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carolyn_malachi8)  Carolyn Malachi- The woman who started the Revenge of the Smart Chicks. Jazzy voice. Witty lyrics. AND from the DMV. Carolyn has been on mission to make smart chicks cooler than ever before. She’s been doing music and incorporated that into her community work by starting the Smart Chicks, Inc. After seeing her speak at hip/hop cinema event at the historical society several months ago, I realized this chick is onto something…definitely refreshing to say the least. Listen for yourself! She’s got new album that just came out too called Revenge of the Smart Chicks II: Ambitious Gods. Check out her music here.

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I hope you enjoyed this month’s Third Mondays, 11/16: THE ECLECTIC EIGHT . Expect the unexpected each time. Also, I want to hear what you think!

One Last thing:
By TwitterButtons.com

-Selamawit

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Nouveau

November 9, 2009 · Leave a Comment

Remember what it was like going to your first museum and/or art exhibit? This event usually occurred with your school as part of a class trip or with family or maybe on your own. Okay, perhaps you don’t vividly remember that day, but you remember the artwork at the very least; whether you liked it, hated it, or thought damn this is weird and I don’t care to be here.  At the end of the day, even people who claim to not like going to art exhibits or don’t have a personal affinity for art (collecting, creating, appreciating) still do actually like some forms of art and just don’t realize it. We all have are personal tastes, some more refined than others perhaps, but everyone has some piece of artwork that just moves us each time we come across it.

Now there are many fine art forms: paintings, sculptures, drawings, printmaking, photography, dance, textiles, films, etc… In this specific case, I am referring to  traditional visual arts, which essentially includes everything I listed minus performing arts and film/video.

So from time to time I will be posting up articles on noteworthy artists in hopes that you all will check them out (especially if they are exhibiting their work in the dmv area) and support them!

Here are the first batch of folks:

1)Robert Williams

I came across him while skimming though Juxtapoz Magazine’s notice that their entire November issue is about him. Check it out here. He does conceptual surrealism and even has a book out by that title. He even designed shoes! Definitely a modern day Dali, check out his work:

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Robt-ConceptualRealism

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2) Wangechi Mutu

About 2 winters ago,  I was looking on the Hirshorn Museum website because I wanted to go one weekend and they apparently had this upcoming exhibit on up-and-coming artists around the world. One of the artists who was exhibiting was this Kenyan-born, Brooklyn-based artist named Wangechi Mutu. She uses mixed media to make her collages that present cultural reflections on women and their status and roles in society, especially within pop culture. I am sad to say that for one reason or another, I didn’t get to go to the exhibit and had to settle with viewing her work online and to this day I haven’t forgotten her name. Yes, her work was that mesmerizing to me. Here are a few images of what her work. If you are fortuante enough to see her in your local gallery or museum, please don’t miss out like I did.

wangechi_mutu_untitled_dipWangechi-Mutu_Mutu-Unforgivable-Hierarchieswangechi-mutu-Ectopic-Pregnancywangenchi-mutu

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3) Martin Schoeller

Last spring I was venturing around DC. You know those perfect spring days, where the sun is out, high 70s, the city is noisy and you feel like its going to be a great day and even better night. I happened to be walking around Chinatown and decided to finally go visit the Portrait Gallery. I had never been for some reason, so I decided now or never. It was crowded and noisy and I just tuned everything out and focused on the exhibits. I saw some sculptures and portraitures of dead presidents and dignitaries. Then I came into a room with Martin Schoeller’s work. And I stood mesmerized. They do appear simple and arguably “boring” but if you stand there and just look at each image you will see something new. He presents each subject in such a raw and real way you actually feel as though you can see right into their souls. Kinda deep and bold statement to make but that’s how I felt when I saw his pieces. Take a look for yourself and let me know what you think:

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4) Cara Ober

I first came across Cara when I saw her work exhibited at Civilians several months ago. She does mainly mixed media work covering themes such as love and religion. The one-liners displayed on each piece are poignant and playfull; thoughts that we all have had stream through our minds on a daily basis. Check out few of her work:

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Make sure you check out their work. Don’t like it? Leave a comment and tell me why! If you are an artist yourself (especially in the dmv area) then contact me: editor.shademagazine@gmail.com and I’d love to check out your work!

-Selamawit

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EVENT: Fotoweek DC 2009

November 7, 2009 · Leave a Comment

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Fotoweek DC 2009 started today, Saturday Nov 7, 2009 and will be going on until November 14, 2009. Make sure you all check out the FREE exhibits going on all week throughout the district. Check out official site for more information here.

-Selamawit

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THE LIST II

October 31, 2009 · Leave a Comment

II

LABELS

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Be You K lyoJANISzoomtnfFATALzoom

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BCBG BCBGMaxAzriaRunway

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Bill Tornade

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BIRIBELLE (dmv)**

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PUBLICATIONS

WWD- I know I said Vogue is the fashion bible. But let me clarify, Vogue is great and always will be…but its like the old testament and WWD is the New Testament. This magazine seems to be carrying on torch…whether Vogue likes it or not. WWD is always thorough.

W – I love how big this magazine is. Sure its not the easiest to carry around but the photography (esp the covers!) are amazing. Great fashion too! Its definitely more European than most other mags we are use to, but thats what makes it so worthwhile.

Frank151- The complete opposite of W. These miniature magazine-books are always based off of a specific theme that is carried out in all aspects of the issue. Great friend of mine introduced me to this mag and its definitely grown on me over time. I was resistant to the size and thickness of the paper. But its effective and I do like that you can carry them everywhere. And they have interviews, anecdotes, fashion and music.

DOTCOMS

Bread & Butter-Website dedicated to urban fashion. Pretty thorough.

Vice Magazine-A friend of mine put me onto this site almost 3 years ago. I am grateful for that to this day. Raw and real articles. Great images. And I LOVE their dos & don’t section. Just hope ya never turn up in it though. yikes

Format Mag – Another friend of mine told me about this great site last year. Beautiful images, layout and graphics. Music, Fashion and Art online magazine.

This is THE LIST for this month. If you are a designer/label in the area(dc/md/va) or from elsewhere in the world, please contact me editor.shademagazine.com to be considered.  Every month you’ll get a new set of labels, designers, sites, publications and so forth added to THE LIST. Hope you enjoyed this set, please leave comments and tell me what you think!!

-Selamawit

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The Commercialized Pandemic

October 29, 2009 · Leave a Comment

Because temporary pity doesn’t bring security for the future

by Whitney McGuire

December 1st, 2006 was an overcast day, but that didn’t deter me from venturing across campus to see famed rapper Ludacris speak to the GW community about the AIDS pandemic. I made my way across campus skipping one class, I must admit, to hear what Ludacris could possibly say about such a pressing issue. I admit I was skeptical. Aside from getting an HIV test the day before, I decided to wear my overpriced “INSPI(RED)” t-shirt from the (PRODUCT)RED line begun by U2’s Bono as an attempt to show my support for the AIDS pandemic and to vainly draw attention from Luda to myself. I entertained the latter thought very briefly. I digress.

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Well I certainly didn’t get attention from Ludacris, but what I got was an increase in my initial skepticism about this visit in general. Prior to attending this event, I laughed candidly with friends about the notion of Ludacris giving a speech about AIDS. I even dissuaded my boss, involuntarily, from going to the event by telling her that he was not coming to perform, but he was in fact coming to talk to us. I couldn’t help but think to myself after these incidents, “really, why was Ludacris coming to speak to us (read: seemingly health savvy/ able to afford HIV and AIDS drugs- college students) about the pandemic”?

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My thoughts stayed with me as the lights in the theater dimmed. Flash bulbs from area newspapers and magazines sporadically illuminated the darkness. The clapping of the audience subsided as the likes of Charlize Theron, Kelly Rowland of Destiny’s Child, Ashley Judd, and of course Ludacris graced a projection screen in front of us imitating the “see no evil, hear no evil, speak no evil” gestures that made three monkeys famous at one point. I digress once more. These A-list celebrities urged us (once again, seemingly health savvy/ able to afford HIV and AIDS drugs) college students to become aware of the AIDS pandemic and to give – the optimal word here– to a worthy cause by purchasing a trinket, a necklace of some sort (which was probably made in China, but that’s an unfair assumption) at your nearest ALDO shoe store for only $5.00! I along with other audience members became increasingly uncomfortable as the faces appeared more frequently and everything else they were saying seemed to be edited to repeat the optimal word give or better yet, buy. At this point, my INSPI(RED) shirt became less and less appealing.

 

From this event I learned that Ludacris became aware of the sense of urgency to educate others about the AIDS pandemic while filming his “Pimpin’ all Over the World” video in South Africa (The irony is just too overwhelming right now. Hopefully he was prophylactic-ally protected while he was doing all of that “pimpin!’” I digress once again.) He mentioned that DC was one of the most infected cities in North America (1 out of 20 DC residents is infected with the virus according to the Center for Disease Control); therefore his visit to GW was somewhat warranted, aside from Sigma Phi Epsilon’s push to showcase this event as a philanthropic effort (Kudos to them by the way for raising over 30,000 dollars for this cause. Trust me we were reminded quite often of their generous donation).

The audience was quite receptive. No one heckled Ludacris about his promiscuous lyrics, partially because he forewarned the audience that he practices safe sex and that his lyrics such as “shake your money maker” are about having fun, and partially because we didn’t really care about the speaker’s image– that’s more for universities like Northwestern and Harvard. We just wanted to know what more we could do to increase the education about this pandemic in our own city. Several statements were made that seemed to follow the same grain: “GW students are typically not from DC, able to afford health care, and are extremely educated about the risk of contracting HIV and AIDS. The majority of people mentioned in the former statistic are not here at GW, but in the greater DC community.” These statements were ignored by the expert from Youthaids.org sitting to Ludacris’s left.

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The commercialization of the AIDS pandemic has become a temporary attempt to garner attention to a permanent—although, hopefully, a weakening—problem. Julie Potyraj, a sophomore here at GW, says that these A-Listers might think that “it’s cool to help [the poor]” but this fad “only helps as long as people are interested. The fate of impoverished children lies at the mercy of the Hollywood A-List and commodity hungry spenders.

What I couldn’t get out of my mind was this internal dilemma; I don’t believe that these marketing campaigns make me feel any more secure about the future of this pandemic. I would have been more moved by hearing a testimony from an actual HIV/ AIDS survivor than celebrities. But on the other hand, I’m so glad that these proceeds are going towards this cause. It seems, however, that that is where it stops. What is the cause? Is it AIDS education within the inner city, the city in which we undeniably reside? Is it pressuring various African governments to start instituting AIDS awareness programs? I am not sure. The various non-profit organizations that were present that day seemed to offer more suggestions as to treatment, prevention and volunteer opportunities than the “expert” and rapper on the stage. The popularization of this pandemic has become, as Julie stated, cool. Let’s face it, sex sells, even if it kills you. I, like Julie, just hope that people will still care “after Madonna stops adopting African Children” and after ALDO finds something else to market. The fate of this pandemic should not lie at the mercy of Hollywood’s A-List.

For more information please visit the following sites:
www.youthaids.org
eric.ed.gov
www.cdc.gov
www.condoms4life.org
doh.dc.gov
www.unaids.org


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3rd Annual Mandingueiros Batizado 2009

October 21, 2009 · 3 Comments

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Recently, I went to the 3rd Annual Mandingueiros Batizado 2009, a regional Capoeira event in Alexandria, VA.  A good childhood friend of mine, Sami Ahmed (“Selo” as he is referred to by his fellow capoeiristas), has been involved and practicing capoeira for several years [and was actually receiving his new cord to become a monitor at this event!]. Any ideas about capoeira I had were due to films I may have seen that showed some capoeira, or my roommate’s description of her college beginners level class. However, those stories are no where near how great it is to be there in person and see and watch people practicing Capoeira. I got to witness the actual batizado, which is essentially the ceremonial process in which individuals become official members and receive either their first cords or new ones symbolizing their transition onto a higher level.

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Following the batizado, I got a chance to talk to his instructor and creator of Grupo Ondas, Silas Pinto. Silas Pinto was born and raised in Cape Verde. His parents ran a church and were very religious. Due to the lack of adequate educational and career opportunities, Pinto moved to 1989 to the U.S. to go to University of Rhode Island. He went all the way to receive his doctorate in psychology. He is now a Tufts University Graduate level professor in psychology. He has a wife , 2 kids aged 3 1/2 year and 1 year old.

During his university years, he decided he wanted to learn capoeira and start sharing it with other people so he created Grupo Ondas. Grupo Ondas was officially created in 1996 and originates from Rhode Island at University of Rhode Island. In capoeira, there are three center styles: Regional, Contemporary, and Angola. Grupo Ondas practices regional. Silas wanted to take traditional brazilian capoeira and introduce other cultures to it and vice versa. It is well-known among capoeiristas that Brazilian’s tend to be very protective about their capoeira. The current Grupo Ondas logo has Cape Verde flag because Silas wanted the group to reflect unity and cross-cultural significance. Initially, Silas based the group out of URI, since that provided the necessary financial support for travel and outreach that a university could provide in those early days. Overtime, the group started to be more widely accepted especially among other more traditional capoeiristas. Now it has roughly 150-200 members and managers to maintain the operational aspect of the ever-growing group.

Here’s how the rest of our conversation about Grupo Ondas and capoeira went:

How can Capoeira apply to other aspects of someone’s life? What tools have you used from this art to apply to rest of life?

I learned about respect. Respect for people of different ethinicities and ages. We learned about self-control, discipline, friendship, community, protect not destruct. Motto is: build true confidence, knowledge in mind, honesty in heart, and strength in body.

Why should  someone start learning? If you were to convince a young working adult to start practicing what would you say?

Many times people are attracted to Capoeira simply for the aesthetics of it. It looks cool and fun to everyone. Personally, I stayed because of the challenge on all levels. Its not just a sport but it actually makes you a better person because of the people you meet and principles you learn. People come in and out of our group often because ultimately they are a bit anarchy-minded. Discipline and rules are key to learning and excelling in capoeira. Ultimately, capoeira chooses you as does any sport. How well you do in this sport is determinant usually on two factors: 1) innate ability to do well in this specific sport 2) proper training.

Where would you like the group to go from here? Future Plans?

Well in regards to the studio space, it is open to existence of the mall. The studio just serves to be useful space for our group and community. [sidenote: over the past 5 years there have been reports that Landmark Mall is suppose to close]. DSCN6670

In regards to Grupo Ondas, I would like to see more focus on inner structure. I don’t want to lose personal relationship I have with each student. Knowing their names, family members. At the same time,  I still want it to grow so that it can be financially stable and can run itself. Ideally, I would like to have it so that the schools are spawned from our own, meaning our current students continue on to be instructors.

This is the 3rd Annual Mandingueiros Batizado. What’s been the biggest change you have seen since the 1st one? What’s been biggest challenge? Proudest moment?

This is the 3rd annual OPEN batizado, meaning its for everyone who takes the course. We have had 6 inner batizados over the years. Much has changed over the years as expected. When we first started the highest level attained by the students at the time was 2nd, and now students are at the 7th level. The business itself has transformed. We went from using a room in Golds Gym to having full access to an actual studio. The biggest challenge is of course money, not that easy to get donors and financial support. As for the proudest moment? Well honestly it was when I gave my wife her graduado cord while she was 8months pregnant.

When you receive the cord it means you are an understanding person of this system. Therefore, you represent the school. Sami (Selo) comments “It is much more personal when you receive a cord here than in any other sports or schools. It is a very big deal and the energy is high the entire time. For instance in Taekwondo, there are so many people to even begin to appreciate the moment. The cord giving/receiving moment is also a 1st impression of sorts too, to show them there is a reason to keep coming. It’s not just a sport you become trained in, you are also joining a family.”

I am fully responsible for this school. Selo is monitor, meaning he manages it on a more frequent basis. I live and work out of Rhode Island, so there is a lot of traveling involved for everyone from RI to Boston to here and back.

Oh also, whats with the all white? (referring to the white uniforms capoeiristas wear)

I have a  few theories:

1) Traditionally Sundays everyone wore white to church so people would stay in their church clothes then joda.

2) When you wear white you have to keep it clean, so the way you differentiate whether someone is a beginner or not is by how dirty and/or clean your outfit was.

My theory?

In 1930s they all started wearing white because Master Bimba wore white to a joda. Before him, capoeira was illegal and people were seen as vagabonds and were arrested. Master Bimba tried to legalize it and would wear white uniform to make the sport look more professional.Sub-consciously,  white is generally seen as pure (as opposed to black). It is said now that we wear it for tradition not because we believe in it. Cannot possibly ignore the power and effect of colonialism and history behind all this. Now, as an instructor and leader, I am trying to get the students to change their opinion, so in our school the graduados (beginners) wear black. This all started back when I was starting out and actually got in trouble for innocently wearing black to a joda. It was seen as a sign of disrespect for me to wear black to the event and I of course so nothing wrong with So when I created the group, I altered the traditions. For instance, in this group, all members have animal names and beginners wear black because symbolic of respect and reminder of how to communicate.

After the interview winded down, I bid my farewells to Sami and Silas and  the few remaining at the studio as they chatted away about the celebrations that were in store for later that night.

It is definitely refreshing to see that there are local groups and communities that nurture and support the development of different art forms and practices. Here’s a video clip that gives you just a glimpse into what Grupo Ondas does:

If you would like more information about Grupo Ondas and/or taking capoeira classes, email the instructor, Sami (Selo) at selocapoeira@gmail.com

-Selamawit

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Third Mondays

October 19, 2009 · Leave a Comment

The Eclectic Eight

Perhaps this is going to sound as though I am getting really ambitious, but it doesn’t hurt to try this out and then see how it goes.

So, every third Monday of the month, 8 different indie songs and/or artists will be brought to you on www.shademagazine.com . Why 8? It’s my favorite number.  I will do my best to present you with an eclectic assortment of sounds that’ll hopefully please everyone who checks this out (along with the other great articles on here! If you are an artist yourself or know of someone(and/or a group) that should make the cut each time then let me know! (editor.shademagazine@gmail.com) 

1)  The Big Pink “Dominos”

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2) The FiveOne Band “You were my friend”

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3) Super Viral Brothers-Flu Shot Mixtape

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4) The Very Best “Julia (Javelin Re-Do)”

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5) Anjulie “Boom”

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6) Cold War Kids “Hang me up to dry”

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7) Nacey & Starks (of Nouveau Riche project) EP

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 8) Cage the Elephant (Self-titled Album)

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Hope you enjoyed each artist as much as I did. If you know of an artist and/or group that should be on this list, let me know! editor.shademagazine@gmail.com 

-Selamawit

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Ayo

October 13, 2009 · Leave a Comment

Ayo - Joyful - Front

 I love discovering new sounds. So when I came across Ayo, I knew I needed to share her music with as many people as I could. She is an Afro-German guitar-strumming, afro-funk/soul songstress. She has a slight accent and it makes her voice sound amazing over the reggae beats. Her lyrics are reminiscent of  a young Carly Simon: songs about womanhood, love and loss. Her debut album went double-platinum in Europe and then the album was released, via Interscope Records,  in 2007. Late 2008, she released her second album, Gravity at Last in France and embarked on a concert all throughout Europe.

I remember seeing this video not too long ago on MTV2 and thought oh another afro-centric, guitar-strumming, bluesy-sounding singer has come along…but she is completely different.She is that and more. Here’s an official video for song off her debut album:

Listen to Gravity at Last here: 

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Gravity at Last by Ayo 

 

 

Hope you enjoy it as much as I did. Let me know what you think. More discoveries to come!

-Selamawit

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2010 Spring Paris Fashion Week

October 8, 2009 · Leave a Comment

I have dreamt of going to fashion week…new york, paris and london…for-ever. However, as of now, I am still an under-the-radar…well under…renaissance woman. So until that glorious day comes where I will glide to my front row seats to any and every show my heart pleases to attend…I will write about it.

Overall general trend has been browns, whites, blacks, and sprinkle of color here and there. Light orange and blue was pretty common all across the board. Decent number of pant suits as well. Not the long skinny-leg kind, but your basic trousers right at ankle or mid-calf. Generally dresses were either super long or right above the knee.

So here’s my picks from 2010 Spring Paris Fashion Week:

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Alexander McQueen- This man is fantastical. I wonder what his dreams are like. What he sends down the runway are just extraordinary works of art. This time I was hooked just on the shoes!

Junya Watanabe-I looove the 30’s style men’s shoes. No real dresses. Lots of pant-suits.Very masculine-chic. Beautiful tall tightly wound-wraps.

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Lanvin- Alber Elbaz can do no wrong in my eyes. The shoes, the dresses, everything. And if you know me well, then you know, I love a good dress.

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Le Carrousel du LouvreLe Carrousel du Louvre

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Giambattista Valli - If I was to go on a safari, I’d rock this. I mean that in a good way.I like the straw material. Perfectly-cut at mid-thigh to above the knee. Just how I like my skirts.

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Espace Ephemere TuileriesEspace Ephemere Tuileries

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Viktor & Rolf Duo does extraordinarily bizarre work. Avant-guard fashion. This time it was very MC Escher-esque

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Yves Saint Laurent -well-known, well-respected fashion house. always chic and refined.

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Jean Paul Gautier very colorful which definitely is not surprising since he always does his own thing. Corsetted tops making perfectly cinched waists.Heavy on the stockings and chunky bracelets and long cuts.

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Bruno Pieters – Short Dresses with pockets. My first time coming across this designer. Ethereal fresh look.

Musee de l'Homme

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Balmain- Rocker-look. Had various looks not just dresses or just pant-suits like most of the other collections. A lot of individual pieces. Same color scheme though.Heavy on the details and hand-work.

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You think I forgot to mention a few others? Then leave a comment and tell me what you think!

-Selamawit

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